Du-All Camera

On-Board Camera Lights
Anton Bauer Ultralight 2	$ 20
The ULTRALIGHT is the first and only camera mounted light designed specifically to work with any available light to create truly studio quality images. For use with all cameras with built in PowerTap. Can Adapt to work with 12 volt 4-Pin XLR as well. Comes standard with diffused glass. Comes with: 1- Ultralight 2 1- Power-Tap Connector or 4-Pin XLR 1- 20" Cable Length 1- Shoe Mount Adapter
Frezzi Mini Fill	$ 25
1- Mini-Fill Light 1- Choice of 20, 30, 50 or 75W 1- Power-Tap Connector or 4-Pin XLR 1- 2' Cable Length 1- Soft Box - choice of MFSB or MFSB-2 1- Shoe Mount Adapter Features are fuseless reverse polarity protection, dimmable & compact size
Sachtler Reporter 50H	$ 35
1- Reporter 50H Light 1- Power-Tap Connector or 4-Pin XLR 1- Barndoor 1- 2' Cable Length 1- Shoe Mount Adapter Reporter 50H tungsten battery light features integrated safety glass, rotatable, detachable four-leaf barn door, precise focussing, range 1:4, handle with integrated camera mount.
Sony HVL-20DW2	$ 15
10/20 WATT DC VIDEO LIGHT 10-watt operation with NP-F500/510/530 battery packs 20-watt operation with NP-F730/F750/NPF960 battery packs For camcorders not equipped with a powered accessory shoe Sony NP-F960 Battery $ 10 each 1 battery Will run light for 1.5 hrs
Switronix XD-L56S On-Board LED Light	$ 30
The new XD Light is an ultra light weight, on-camera light designed for both DV/HDV and industrial operation. The XD-L56s contains LED light technology, drawing 6w while outputting the equivalent of 20w of daylight balanced, 5600k light. The light has a built in sled to accept Sony L-Series batteries, running up to 6 hours from one large capacity battery. The Light also has a dc input, accepting from 7-17v with the included p-tap cable. An articulating neck allows you to control where the light is positioned. The light comes standard with both 1/4 20 thread and hot shoe mounting option Sony NP-F960 Battery $ 10 each 1 battery Will run light for 6 Hours or run light off p-tap with included cable
Sun Guns
Kobold 200 Watt HMI Sun Gun	$ 150
The ENG 200W HMI system provides light output equivalent to a 750W open-face fixture without color correction. With its compact size, light weight and flexible lamphead operation, the ENG 200 system is perfect for all ENG or field production professionals. One Battery belt will run light for up to 30 Minutes. Comes with: 1- Kobold 200W HMI Sungun 1- AC Balast 1- DC Balast 1- Barndoor 1- diffusion filter 1- 3200 degree Kelvin dichroic daylight conversion filter 1- Chimera Speed Ring 1- 30 Volt Battery Belt 1- Pelican Travel case
Lowell I-Light 100 Watt SunGun	$ 35
1- Lowel VIP I-Light 1- 4-Pin XLR Connector 1- Barndoor 1- Shoe Mount Adapter 1- Handheld grip 1- 12 volt battery w/ charger one battery will run light up to an hour. Uses GBI100 Bulb
Portable Light Kits
Arri Light Kit - 571983	$ 82
4 Lights Total (2x150/1x300/1x650) ARRI FRESNEL KIT (75 lbs) Kit Includes: 1- 650W Fresnel 1- 300W Fresnel 2- 150W Fresnel 4- Barndoors 4- Scrim paks 4- AS-2 Stand 4 - Spare bulbs 1- Rolling Case
Arri Light Kit - 571986	$ 72
3 Lights Total (2x650/1x1K Soft) Kit Includes 2- ARRI 650W Fresnel 1- Arrisoft 1000 3 - Barndoors 3 - Scrim Packs 3- Stands 1- Rolling Case
Lowell DP / Tota Light Kit	$ 50
Comes with 2- Lowell DP Lights EHC Bulbs 1- Lowell Tota FCM 3- stands 2- speed rings for DP 2- 500W dimmers 1- Rolling case
Mole Richardson Tweenie Mini Mole Kit	$ 70
Comes with 2- 650 Watt Solarspot 2- 200 Watt Mini Mole 4- Stands 4- Barn Doors 4- Scrim Packs 1- Rolling Case Uses FRK(650W), FEV(200W)
Mole Richardson 1K Light Kit	$ 56
Comes with 2- 3081 Baby 1K Fresnel 2- Barndoors 2- Stands 2- Scrim Packs 1- Rolling Case Uses EGT (1KW)
Single Lights
Dedolight DLH4 100W	$ 25
The light head of the Dedolight system is extremely compact. With its dual-lens Aspherics2 optical system it provides astounding light output. With a 100W lamp in flood position, its light output is greater than a 300W Fresnel studio fixture. In spot position, its output equals or exceeds a 1000W Fresnel studio fixture
RedHead 650W Openface	$ 25
1- Redhead 650W 1- Barndoor Uses FAD (650W) Bulb Red heads can be used as a key flood light for large areas, but are also useful as fill and backlights
Visio P2 110W 2bank Fluorescent -500W	$ 50
1.Low consumption, highly efficient output. 2.Almost no heat generated. 3.56 KHz frequency ensures flicker-free light. 4. Soft,shadow-less lighting in a large area. 5.No double shadows. 6.Operation is more facility 7.Ballast inside 8.Lighter weight. 9.No voltage limitation 96~260 10.Dimming range: 100%~10% 2x 55 Watt = 110 Watts of power usage and is equivalent to a 500 Watt light. Same as Kino flo Divalight Comes with: 1- 2 bank 110 Watt dimmable fixture 1- Light Stand 2- Kino Flo True Match Fluorescent Lamp - 55 Watts/2900K 2- Kino Flo True Match Fluorescent Lamp - 55 Watts/5500K 1- Mirrored Barn doors with corner flaps 1- Soft carry pouch 1- Spare bulb case
Visio P4 220W 4bank Fluorescent -1000W	$ 75
1.Low consumption, highly efficient output. 2.Almost no heat generated. 3.56 KHz frequency ensures flicker-free light. 4. Soft,shadow-less lighting in a large area. 5.No double shadows. 6.Operation is more facility 7.Ballast inside 8.Lighter weight. 9.No voltage limitation 96~260 10.Dimming range: 100%~10% 4x 55 Watt = 220 Watts of power usage and is equivalent to a 1K light. Same as Kino flo Divalight Comes with: 1- 4 bank 220 Watt dimmable fixture 1- Light Stand 4 - Kino Flo True Match Fluorescent Lamp - 55 Watts/2900K 4 - Kino Flo True Match Fluorescent Lamp - 55 Watts/5500K 1- Mirrored Barn doors 1- Soft carry pouch 1- Spare bulb case
Area of Coverage
How large an area do you have to light, and is there ambient light that you should consider? If you need to light a large area, you'll most likely start with more wattage in order to place the instruments further from the subject. When shooting a single person interview, you can use smaller instruments to achieve your creative goals.
Depth-Of-Field
More light produces greater depth-of-field (the area in focus), as the f-stop is increased and the aperture is reduced. For many of today's light sensitive digital cameras, using less light to shoot "wide open" is one of the only ways to achieve selective focus control when shooting with anything other that a telephoto lens.
Wire Scrims
Wire Scrims are places in the slot between the front face of the instrument and the barndoors. They reduce the intensity without changing other characteristics of the beam.
Green Scrim (Single) reduces light 1/2 stop
Red Scrim (Double) reduces light 1 stop
Half Green or Red Scrim (Half Single or Half Double)
Half Green or Red Scrim (Half Single or Half Double) cuts down part of the field

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