Boom
Poles |
|
| Ambient Carbon Fiber 4 stage Boom Pole w/ shock mount | $ 15 |
|
|
| Gitzo Carbon Fiber 6 Stage Boom Pole w/ Shock Mount |
$ 15 |
| Gitzo Aluminum 6 Stage Boom Pole w/ Shock Mount |
$ 10 |
Shotgun
& Handheld Mics |
|
| Sennheiser ME-66 mini Shotgun with K-6 | $ 15 |
|
|
| Sennheiser MKH416 Shotgun mic | $ 30 |
Pressure gradient receiver with short interference tube |
|
| Electrovoice RE-50 Omnidirectional Mic | $ 10 |
|
|
| Electrovoice RE-15 Cardiod Handheld Mic | $ 10 |
|
|
| Electrovoice 635A Omnidirectional Mic | $ 10 |
|
|
Lavalier
Kits |
|
| Lectrosonic Diversity Wireless Lav Kit | $ 50 |
| Sennheiser EW100G2 Wireless Lav Kit | $ 35 |
|
|
| Sennheiser EW500 Wireless Lav Kit | $ 40 |
|
|
| Sony ECM-50 Lavalier | $ 10 |
DAT
Recorders/Mixers |
|
| Edirol V-4 Video Mixer | $ 100 |
|
|
| Fostex PD4 Portable DAT Recorder | $ 75 |
comes with 4 NP1 batteries & charger |
|
| PSC DV PROMIX - 6 Channel field mixer | $ 40 |
|
|
| Shure FP-32 - 3 Channel Field Mixer | $ 20 |
|
|
| Shure FP-42 - 4 Channel Field Mixer | $ 20 |
|
|
Accessories |
|
| Deneke TS-3 Time Code Slate | $ 25 |
|
|
| Deneke TS-2(sb) Time Code Slate | $ 15 |
|
|
| Rycote Softee | $ 5 |
| Sony Stereo Headphones | $ 5 |
The
ME 66 is a shot gun microphone capsule designed for use with the
K6 and K6P powering modules. It is especially suitable for reporting,
film and broadcast location applications and for picking up quiet
signals in noisy or acoustically live environments as it discriminates
against sound not emanating from the main pick-up direction. Matte
black, anodized, scratch-resistant finish
Pressure
gradient receiver with short interference tube. 
Industry
standard live interview microphone. "Mic-within-a-mic"
concept reduces wind and P-popping noise. Features EV DynaDamp™
shock mount. Extremely low handling noise for superior sound. Dynamic
omni-directional capsule 
Tight, supercardioid pattern is uniform over a wide frequency range
for consistent sound quality at all pickup angles. Variable-D®
design virtually eliminates the up-close bass boost (proximity effect)
that can make vocals sound "muddy". Excellent for podium
use where high intelligibility is important
Best
known news gathering microphone in the world. Great sound, and incredible
durability. Known as "The Buchanan Hammer" for its rugged
durability. Also available in black (model: 635A/B) 
Portable
Camera Mount System Consisting of a SK100G2, SKP100G2, EK100G2,
ME2 Omni Lavalier, and a CL100 Audio Output Cable
The
V-4 has 4 inputs and 3 outputs in a compact body allowing you to
switch and mix any two inputs. A and B channels have independent
TBC's (Time Base Corrector) which gives you stable mixing from any
source. The V-4 can be used for many kinds of performance and presentation
such as VJ (Visual Jockey), live camera switching and making materials
for linear or non linear editing. The V-4 produces high-quality
images of more than 500-line resolution by virtue of its internal
4:2:2 full digital processing. Mix images of DV quality without
any degradation
Professional
Four Head Timecode Digital Audio Tape Recorder Combined with a High
Quality Three Channel Mixer in One Portable Package
6
input professional field mixer for film and television. The release
of this mixer is very appropriate with the demand for more inputs
to cover the ever present reality TV market. This mixer has all
the features that you would expect for a professional field mixer
Portable
stereo mixer for ENG, EFP or film production. Provides all the most
needed features and quality for professional stereo broadcast remotes.
Has 3 transformer-coupled XLR3 imputs, phantom power, L/R XLR3 outputs,
L/R tape outputs, two stereo headphone jacks
With
full stereo capability, the FP42 is perfect for mixdown in video
editing suites. Four XLR transformer-balanced mic/line inputs and
two outputs (one for each stereo channel). Pull-pot cueing on all
inputs provides channel previewing. Low-cut filters, mono-stereo
switch, mix bus linking, headphone amplifier, tone oscillator, switchable
limiter, phantom power and dual VU meters. Rack-mountable with A16R.
Three standard 9-volt alkaline batteries or 120/240 Vac power
Reads
and displays SMPTE/EBU Time Code. Internally mounted SB-2 Syncbox
Time Code Generator. Jams to all standard frame rates, including
30 df. User bits jam automatically when the time is set. The high
stability crystal ensures low drift and now comes standard with
the TCXO option for extreme temperature ranges. EL backlit display,
particularly useful during night shoots and on dimly lit stages.
The
TS-2(sb) reads and displays SMPTE/EBU Time code. The SB-2 SyncBox
is mounted in the battery box. The replaceable lexan face and walnut
sticks ensure a long and productive life. The SB-2 Time Code Generator
jams to all standard frame rates, including 30 df. |
 |
 |
 | ||
 | ||
